The terms used by musicologists and music lovers can sometimes surprise and disorientate novices, especially when talking about voice types. Even the vocabulary in both Italian and French can make opera feel unwelcoming for younger fans of modern music. However, there are a few ways to work on your singing voice in order to make yourself a better singer.
Valour, power, volume, warmth, colour, clarity: there are so many terms to describe the different types of voices that choral singers and opera singers will be very familiar with them. Today, we’re going to have a look at tessitura and range, some of the most important aspects of the human voice.
With that in mind, let’s have a look at the answer to a question that most opera divas would probably ask: “Can I increase my vocal range and, if so, how?” These are very important questions that are not just for operatic singing but also for modern music.
What is Tessitura?
When talking about music and the sounds made by the human voice, instruments and singers can be classified in terms of the range of different frequencies they can produce. Naturally, the human voice is somewhat limited and you could say that most of its abilities are innate: surgery can’t turn an aspiring singer into Luciano Pavarotti with the click of their fingers, for example.
Tessitura basically refers to the range in terms of notes and octaves that a voice produces naturally without too much effort. Before you undertake any vocal training, you should study at least the basics of music theory as you would before you start playing a violin, oboe, french horn, accordion, bass clarinet, trumpet, guitar, trombone, or alto sax.
Being able to read sheet music would be really useful for deciphering any given piece. This is something that would really help if you were playing Kaufmann in The Tales the of Hoffman.

As you probably know, human voices tend to change over the course of a person’s life. There are certain key moments, too. During puberty, for example, the voice breaks during and your range will become deeper. Additionally, women’s voices also change during menopause.
At the height of a signer’s career (often between 25 and 45 years of age), they’ll need to work tirelessly on their voice in order to break into the world of opera as well as broadening their range in order to improve their chances of landing certain roles.
The Queen of the Night in The Magic Flute requires a total mastery of the upper ranges of the human voice and tenors get their chance to shine in Giuseppe Verdi’s Il Trovatore and Mozart’s The Marriage of Figaro.